
The fight scenes in Those That Wake and What We Become were intended to do this, delineating traits of Mal (perseverance in the first, the fact that his intelligence and wiliness come alive when he's in conflict in the second) and, to a lesser degree, Remak (precision). A fight scene can also help intensify the tone and create a sense of just how desperate things are getting, especially when the protagonist seems terribly outmatched or, effectively, cannot hope to win (as in Mal's fight with the Old Man in What We Become).
A book with sharp, exciting fights scenes that illuminates character illumination is William Goldman's Marathon Man, when the secret agent Scylla fights the assassin Chen. The way the fight ends, particularly, reveals an essential trait of Scylla's character. Goldman, incidentally, writes great fights scenes in general, including in the novels Brothers, Control and The Princess Bride.
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